- #PUBLIC RADIO INTERNATIONAL JINGLE MOVIE#
- #PUBLIC RADIO INTERNATIONAL JINGLE LICENSE#
- #PUBLIC RADIO INTERNATIONAL JINGLE PROFESSIONAL#
- #PUBLIC RADIO INTERNATIONAL JINGLE FREE#
Most internet-only radio station’s cover themselves by paying for what’s known as a " blanket license" or " umbrella license". But if you want to play the latest hits, like the Top 40, then you will need to get a license.
#PUBLIC RADIO INTERNATIONAL JINGLE FREE#
In most cases, the copyright for a song is held by the recording artist or record label, who then receive royalties when the music is broadcast in a public space, which includes play on online radio stations.Īlternatively, if you plan on broadcasting royalty-free music or talk radio, you’re free to stream it from your station without any form of license.
#PUBLIC RADIO INTERNATIONAL JINGLE LICENSE#
However, if your station is going to be playing commercial music, you will need to obtain a license in order to fully protect yourself and ensure you are not infringing on anyone else’s copyright. (One guy worked 11-hour days for 3 weeks making a life-sized bust of Nick Offerman out of popsicle sticks.) They also help us reach new communities of artists and listeners, many of them new to Studio 360 and to public radio.Unlike terrestrial radio, you don’t need to own a license in order to broadcast your stream online.
#PUBLIC RADIO INTERNATIONAL JINGLE MOVIE#
These are projects that often require and inspire deep, sustained engagement – dozens of hours spent shooting a movie or composing a song.
#PUBLIC RADIO INTERNATIONAL JINGLE PROFESSIONAL#
Although we get entries from professional artists, most of the contributors are amateurs. Our 2012 “Jingles for Romney and Obama” challenge was honored by the Society of Professional Journalists. We’ve created 25 installments of Extra Credit so far, generating nearly 10,000 audience contributions in the form of movies, poems, sculptures, GIFs, illustrations, stories and more. Other notable judges and partners include: Jenny Slate, Nick Offerman, BJ Novak, Scholastic, Makerbot,, the Cornell Lab of Ornithology and Heben Nigatu & Tracy Clayton from “Another Round.” (It’s a contest, but the prize is usually just glory!)ĭuring the contest period, becomes a gallery showcasing amazing work by our community. At the end of each challenge, we invite the big names to come back on the show, play judge and offer feedback directly to the makers.
For example, we’ve asked them to write haikus and short stories, compose jingles or make 30-second movies. A couple years ago, we started giving them creative assignments: easy, fun projects to help them tap into that maker, DIY spirit. We recognized that a lot of our listeners have that same creative impulse, and developed a way to engage it. On the Studio 360 radio show and podcast, host Kurt Andersen has great conversations with leading artists about their work and their creative processes. The Great Doodle Dare (with Alison Bechdel).Scary Short Film Fest (with Wes Craven).Jenny has been awarded two fellowships by USC-Annenberg/NEA she also lectures at New York University and at her alma mater, Kenyon College. She cut her teeth in journalism at Chicago Public Radio, where she filed stories on culture, politics, technology, and the environment for WBEZ News as well as NPR’s “Morning Edition” and PRI’s “The World,” among other programs. Jenny started recording interviews as a Watson Fellow in India and Spain, researching the origins of flamenco dance. As part of the team, she produced the show’s American Icons specials on “I Love Lucy” and the Disney parks she also developed the show’s Extra Credit challenges which have inspired thousands of listeners to make art. She’s currently the Executive Producer of “Studio 360 with Kurt Andersen,” the public radio arts weekly (co-produced by WNYC and Public Radio International). Jenny is an award-winning multimedia producer, sound designer and show-runner.
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